Performance

While the organizers and participants of Documenta 15 attempted to construct a utopian world within exhibition halls, ignoring the din of war, I sought to capture the juxtaposition of these approaches, revealing the intellectual inadequacy of “institutional curating.”   Art today cannot simply be a “social practice” of sharing experiences. It must be an intervention […]

The final act in this performative triptych was the construction of a dialogue with the viewer on the subject of democratic hegemony. At the time humanity existed within a paradigm where “democratic principles” were the dominant direction. At every step, we were taught, corrected, or reproached for failing to correspond to the theoretical basis of

It is no secret to anyone that throughout different historical periods of human civilization, there have always been similar or conflicting ideological and social trends, to which different representatives of society react according to their personal or professional interests.   However, it should be noted that one particular fact reveals the essence of humanity regarding

The events that unfolded against the backdrop of the armed conflict between Armenia and Azerbaijan have elevated the tensions between these countries to a completely new level within the international geopolitical arena.   In turn, the social upheavals triggered by the military conflict inevitably had a profound impact on all segments of society in both

  Today’s contemporary paradigm increasingly erased national borders and, consequently, the unique cultural idiosyncrasies of individual nations. This created a widening ontological gap between historical heritage and the living generation. While the youth integrated seamlessly into globalized values, they often remained alienated from the foundational components of their ancestors’ lives.   Although evolutionary processes remained

The interactive project “Moldavians Everywhere” is a large-scale performative intervention within the public sphere, where the monumental architecture of government buildings serves as a backdrop for the deconstruction of the “facade” of contemporary Moldovan society.   At the heart of the work lies an investigation into the tragedy of mass emigration a process that exists