Curatorial projects

Memories of the Future, or Beyond the Shadows of Empires (chapte 3)

Memories of the Future, or Beyond the Shadows of Empires   The Republic of Moldova, as a country with a rich history of conquests, the influence of various empires, and a crossroads of cultures, has gone through processes of external and internal colonization. Its cultural heritage was formed within the realm of complex relationships with […]

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Memories of the Future, or Beyond the Shadows of Empires (chapte 2)

Memories of the Future, or Beyond the Shadows of Empires   The Republic of Moldova, as a country with a rich history of conquests, the influence of various empires, and a crossroads of cultures, has gone through processes of external and internal colonization. Its cultural heritage was formed within the realm of complex relationships with

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Memories of the Future, or Beyond the Shadows of Empires (chapter 1)

The Republic of Moldova, as a country with a rich history of conquests, the influence of various empires, and a crossroads of cultures, has gone through processes of external and internal colonization. Its cultural heritage was formed within the realm of complex relationships with various major historical players in the geopolitical arena such as the

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Good time ist tödlich (is deadly)

Over the centuries, many controversial events have been associated with the territory of the Schwanhof tobacco factory. The global paradigm was changing, the content forming the atmosphere of this physical place was changing as well, the role and significance of this location were deconstructed accordingly.Today Schwanhof is an alternative cultural hub within which important transformations

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Panorama of the past or how to survive yesterday’s tomorrow

This exhibition is not simply a collection of archival data and visual images, but an attempt to navigate the labyrinth of human memory, where personal tragedies intertwine with global tectonic shifts in history. At the center of this artistic exploration is the phenomenon of “trauma” not as a frozen monument of pain, but as a

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