The genesis of this project lay in a period of artistic research conducted in Linz, Austria (2012), which focused on the study of territorial specificities. During this observation, a critical focal point for socio-aesthetic analysis emerged: the distinct ethno-national fragmentation of the city’s public space. The division of urban areas into separate, culturally isolated […]
Anthropologist Robert Dunbar identified 150 as the optimal number of stable human social ties, a limit that persists even in the digital age. However, this project explores how internet technologies have fractured this traditional communication, shifting life into a virtual dimension. As digital spaces become the primary architects of orientation, we construct a simulacrum
At one point, we all dispersed in different directions, seeking to define our national identities through their unique similarities and differences. However, we soon found ourselves held hostage by a new form of self-organization within our internal and external environments. These emerging factors triggered a process of depersonalization, dissolving our identities into a grey uniformity
“Chsn-Ksc”(Chisinau-Kosice) Read More »
“If the doors of perception were cleansed, every thing would appear to man as it is: infinite.”
Doors without keys. Read More »
The conceptual core of this project resides in the representation of latent tendencies inherent within the human psyche, specifically focusing on the mechanism of subconscious curiosity. I tried to explor how this primal impulse is operationalized through various acts of voyeurism, eavesdropping, and other intrusive modalities. Within these processes, a profound intersection of psychological opposites
Friendly fire, which we won Read More »
The interactive performative intervention “MADE IN…” operates through the strategic deconstruction of one of the most potent ideological artifacts of the 20th century: the front page of the Soviet newspaper Pravda from May 9, 1945. While the original document contains Joseph Stalin’s historic address to the Soviet people regarding the victory over Nazi Germany, I
The work presents a chilling psychological investigation into the inherent nature of the military mindset—a disposition defined by the latent desire to operationalize “life skills” acquired for the purpose of destruction. This internal drive exists as a universal constant, transcending specific geopolitical boundaries and persisting regardless of the strategic location of the observed subject.
The concepts of luminescence, positive energy, and radiant holiness are perhaps the primary associations that emerge when reflecting upon the notion of “Aura.” In its traditional sense, the Aura represents an enveloping spirituality a pure, self-contained essence. However, within the context of contemporary civilization, one is forced to question the viability of such a concept.
Auraizm – The Radiance of Force Read More »
The interactive project “Moldavians Everywhere” is a large-scale performative intervention within the public sphere, where the monumental architecture of government buildings serves as a backdrop for the deconstruction of the “facade” of contemporary Moldovan society. At the heart of the work lies an investigation into the tragedy of mass emigration a process that exists
Moldavian everywhere Read More »
The project narrates the current situation inside Moldovan society. To understand the source of the problem, one must recall that the Moldovan Republic was a part of the USSR and was one of the most developed agrarian regions of that huge country. After the collapse of the communist system, it led to a sharp rupture
And already Natasha! Read More »